Rhett Aultman
Forum Replies Created
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What ended up working for me is going into “Field Options” on each clip and selecting the “reduce flicker” option.
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Oh, the deinterlacing was probably unnecessary, but I used to do a lot of web-only stuff so I just did it as a matter of course.
I’m aware that 24p isn’t NTSC. I have been experimenting. I’d like to believe that a pair of NTSC captures, edited, and dumped out as an NTSC AVI, still interlaced, would produce a DVD without any choppy appearance. However, that has not been the case and so I’ve experimented with various things. The 24p export seems to at least spread some choppiness around, and I was just mentioning it as a data point.
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I’m almost completely sure they’re both NTSC. Also, for the sake of correction, it’s a Sony PD-170 not a PD-150. Also, this is strictly a problem in Premiere Pro. My old workflow involved Premiere Elements, and I would transfer the tapes, deinterlace them, edit, produce an interlaced AVI from them, and then burn to DVD with Nero, no problem.
I’ve been playing around with the field ordering and the final AVI render. Exporting it as a 24p seems to lighten the jerkiness from one camera but make the other a touch more jerky. I’m now trying the “reduce flicker” option instead.