Ray Zan
Forum Replies Created
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No David. First of all, you multiply and not divide. a 24 mm lens on the BMCC would be equivalent to a 55 mm lens on a full frame camera (24 x 2.27).
Second, for your purposes ignore the intended sensor size (APC-S or full frame). Just multiply by 2.27 for comparison. So the 16 mm on the BMCC is like at 36 mm lens full frame. So when using the BMCC, don’t worry whether the lens is intended for full frame or APC-S, as long as it has a EF mount and use the same factor (2.26) to evaluate it. I am assuming that your reference point is full frame like most of us who come from still photography. Eventually, you will have a sense of the look of all these lenses on the BMCC and won’t have to make this mental exercise. Think of the 22 mm lens as the normal lens for the BMCC and go from there.
I hope my reasoning is correct and maybe others can verify. -
That 16 mm is the only one that is APS-C (will not work full frame) and soon will come in an MFT version as well. All their other lenses are Full frame.
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Thanks Eric. I tried all of that. The screen responds by going purple or back to blue or logo or without logo. But the picture never comes through. Very strange. I wonder what is the experience of others with monitors linked to the BMPCC.
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Hi Eric:
Thanks for helping. The recording setting was: Prores, Film, 24fps and time lapse interval off. I am not sure what do you mean by output settings but the display settings were dynamic range film, brightness 55%, Zebra 95% and HDMI overlays All. I tried to change all of these with no effect. The monitors are receiving a signal because the Marshall logo goes off upon connection but I get only a blue screen. This is not the case with the 5D. Maybe because the output is 1080P? More than the resolution of the monitor?