[Pierre Jasmin]

My guess is that the solid is not the same size as the layer you are referencing, when making the solid put the solid dimension to the same size as the source layer

Pierre

[Pierre Jasmin]

My guess is that the solid is not the same size as the layer you are referencing, when making the solid put the solid dimension to the same size as the source layer

Pierre

[Pierre Jasmin]

This does not look like blurring but more like extending the last pixel of an area based on some matte to define that region.
Something you can do with “RE:Fill Area” in mode Nearest Neighbor
All we seem to have on-line is another fill mode, “Mirror”, last example: https://www.revisionfx.com/rfilgal.htm but it should make the point. To remove flickering as the object moves and the object edges change color therefore, turn the Smooth knob to a large value.

For Directional Blur, note SmoothKit:Directional supports control from a greyscale image (actually one for scale of directional blur and one to define direction). In this simple example a circular greyscale ramp is used as Direction Source and then for effects purposes the global rotate parameter is animated.
https://www.revisionfx.com/smok/dirfxfromramp.mov

Pierre
http://www.revisionfx.com

[Pierre Jasmin]

Twixtor works at any res
The resolution factor just equates to more rendering time, and in a pretty much linear fashion, 4 times more pixels is probably about 4 times to render

Pierre
RE:Vision Effects

[Pierre Jasmin]

Twixtor works at any res
The resolution factor just equates to more rendering time, and in a pretty much linear fashion, 4 times more pixels is probably about 4 times to render

Pierre
RE:Vision Effects

[Pierre Jasmin]

If you send techsupport@revisionfx.com 10 frames of something that moves I can look at it, it would imply another mode in FK Pulldown (CineFrame24) I guess.

Pierre
http://www.revisionfx.com

[Pierre Jasmin]

If you send techsupport@revisionfx.com 10 frames of something that moves I can look at it, it would imply another mode in FK Pulldown (CineFrame24) I guess.

Pierre
http://www.revisionfx.com

[Pierre Jasmin]

https://www.adamwilt.com/HDV/cineframe.html

If we can recover the exact cadence, if need be, I presume we could deal with it in the next version of FK. Looks like the red, green and blue are relatively offsetted as well, and there is an internal horizontal scaling as well…
https://www.hdtvexpert.com/pages_b/hdrfx1.html
https://www.cineform.com/products/SonyHDVSupport/CineFrame.htm

Is this a format for people who use the SD downconverter on their HD cam?

Pierre

[Pierre Jasmin]

https://www.adamwilt.com/HDV/cineframe.html

If we can recover the exact cadence, if need be, I presume we could deal with it in the next version of FK. Looks like the red, green and blue are relatively offsetted as well, and there is an internal horizontal scaling as well…
https://www.hdtvexpert.com/pages_b/hdrfx1.html
https://www.cineform.com/products/SonyHDVSupport/CineFrame.htm

Is this a format for people who use the SD downconverter on their HD cam?

Pierre

[Pierre Jasmin]

Sorry we were at NAB

* Is the monitor view 100% when you get a red frame?

* Put plug-ins in C:\Program Files\Adobe\Adobe Premiere Pro 2.0\Plug-ins\Common\AEFilters
if this is your question

* Don’t use Blend Field mode if you are going to apply Twixtor after that

Pierre