Hi Shane,
Thanks for the info. I appreciate it. So to keep using FCP 7, could I use Adobe Media Encoder to transcode the files to ProRes? If so, do I need to transcode everything in ProRes (Regular), save all that footage for online, then transcode that to Proxy to edit with?
Or can I just trancode to proxy first, then when my picture is locked, upres to ProRes (Regular) through media manager? In other words, is there a way to figure out what clips were used in my final picture locked sequence to only transcode those to ProRes instead of all the raw footage?
Any help would be appreciated.
Thanks,
Pete