Hi Shane,
Thanks for the comments, but I didn’t get “why go progressive”. As far as I’m aware, when shooting XAVC on the F55, I can only shoot progressive. I love the 24p look, but the broadcaster doesn’t care, they want deliveries in 29.97 interlaced. The producer doesn’t care how it looks either, they just wanna give the broadcaster what they want. I’ll google the 3:2 pulldown as you suggested. Thanks!