Paul Donahue
Forum Replies Created
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I just figured out that this control is in the Effect Editor.
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In Deck Configuration I have Firewire on OHCI and selected Generic DV Basic Device PAL which now comes up on the Capture Tool. I am not running Mojo and am trying to go in direct through Firewire which is connected in the port in the rear of the Mac Pro, which I am assuming is the one attached to the Motherboard. The Capture Tool is not finding the camera input; everytime I select the V track to capture, for instance, the No Input Signal Present message comes up.
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It has been exported out of After Effects as a Quick Time using the Animation Compression Type and is a .mov file. I am using FCP 6.0.5.
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Both videos are finished FCP projects with Master sequences. They were shot with different cameras, one with a P2 Panasonic and the other with the Sony FX 7. What I am trying to do is to combine the video of the two sequences together onto a new sequence then export it and play it from a Mac laptop as a Quicktime loop on a wide screen TV.
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If I put the HDV video in the ProRes timeline and render will that change HDV video so that it matches the ProRes video? These are two separate videos that are being combined and then shown together as a loop.
If I was able to recapture the original HDV footage, do I change the User settings in order to capture it as ProRes?
Can I batch digitize to recapture the footage?
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The HDV is a finished video and cannot be easily re-captured. Any other possibilities of dealing with this? Would it be possible, for example, to export the HDV video at 1920×1020 ProRes and then to import it into a new sequence?