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Paul Colin
November 30, 2015 at 12:18 am in reply to: Sony FS7 and XAVC-I Codec in Premiere

David,
Thank you for your thoughtful reply.
My question was not totally coherent. But it points to your statement “The idea of re-wrapping in post is to change the way the file format is written in the camera, to a more common container used in editing, like Quicktime (.mov).”
My question is: how does one change the way the file format is written (to.mov for example) in post? In other words what steps do I take to accomplish this?
Hope I have been clearer this time. Also thanks for the Divergent Media blog tip.
Best,
Paul
Paul Colin
November 29, 2015 at 9:17 pm in reply to: Sony FS7 and XAVC-I Codec in Premiere

Hey David,
Excuse my inexperience but how does one rewrap the XAVC-I codec. I’m familiar with transcoding, but as you pointed out I don’t really want to do that (re: ProRes 422)
Please explain the rewrapping process.
Thanks!
Paul
Paul Colin
November 2, 2015 at 4:13 pm in reply to: Sony FS7 and XAVC-I Codec in Premiere

Thanks Jon
I thought so I didn’t think it was transcoding the clips.
So it looks like we will just have to wait for Adobe to catch up to make the use of XAVC-I footage entirely enabled in Premiere.
Paul Colin
November 2, 2015 at 1:27 pm in reply to: Sony FS7 and XAVC-I Codec in Premiere

Hey Jon,
The questions: are those XAVC-I clips being transcoded just by placing them in the 422 sequence?
Thanks!
Paul Colin
November 2, 2015 at 1:09 pm in reply to: Sony FS7 and XAVC-I Codec in Premiere

Thanks David!
One more thing . . .
As an attempt to patch the situation I placed some XAVC-I clips in a ProRes422 sequence and everything worked smoothly as far as working with the clips (extracts, lifts etc.)
But what am I losing or gaining by placing the native clips in a ProRes enviornment. I don’t think it’s transcoding the clips or maybe it is.
Your thoughts.
Paul Colin
November 2, 2015 at 12:06 am in reply to: Sony FS7 and XAVC-I Codec in Premiere

Hey Guys
I’m having a terrible time with XAVC-I 1080 24p footage from the FS7 in PP CC2015.
It plays OK but when I attempt a simple extract or lift from the time line. No go! It just doesn’t work.
I recorded Pro Res 422 (with extension back)and laid it in a time line and everything worked.
I need some help here. Am I overlooking something?
Paul Colin
April 9, 2014 at 5:46 pm in reply to: expression needed to create random display of zeros and ones

Thanks Dan!
Will try as soon as I get back to my studio. At work now no access to AE.
Paul Colin
March 28, 2011 at 12:43 pm in reply to: fcp 8 – when can we expect it to be released?

Yes a better way to perform compositing tasks would be nice. . . BUT the main thing is to improve performance. I really don’t enjoy waiting on endless rendering times for example.
Professional level media management would also be quite welcome.
Just my two cents.
Thanks!
Paul Colin, Cezanne Studio
New York City
Paul Colin
July 31, 2010 at 2:14 pm in reply to: fcp 8 – when can we expect it to be released?

Thanks guys!
Well you ask a simple question and you get many answers.
Paul Colin
November 6, 2009 at 4:06 pm in reply to: Ingesting DVCPRO HD as Pro Res 422 In FCP

Thanks Jeremy,
That’s what I have done. BUT I was a having problems with the dropped frames warning every few seconds. That shouldn’t be as my media drive is a hefty 4 TB Cal Digit HD pro that I keep well maintained w/Disk Warrior.
So my thinking was that the Pro Res timeline wasn’t liking the DVC Pro footage, ergo the stalls.
Perhaps that was coincidental with some other issue. There were no effects/color correx or anything else added on the footage.
Thanks for your help.

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