Hector, I’ve read so many articles about codecs, and am embarrassed to admit that the subject is still so sketchy to me. When you say “shooters and directors of small/medium projects keep using bad codecs”, I don’t think I understand what my options would be. I shoot video with a Canon T5i, which I know compresses the footage onto the SD card using the H264 codec. When it comes time to edit, I simply dump the card’s footage straight to my Resolve timeline and start cutting away. Are you suggesting that I’d be better off with a different workflow? Or perhaps what I’m doing is about as good as it’s going to get?
Thanks for bearing with me guys, I’m trying to keep up with you.