Owen Williams
Forum Replies Created
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Is the resolution issue something that might be addressed in later versions of the software? All I really need is an RGB Parade and vectorscope, so all that screen real estate is wasted. Since I already have two 22″ monitors and one 24″ reference monitor on my desk, I don’t want to get whiplash just checking two scopes.
The large monitor size would also be a distraction to clients, whose eyes I’d prefer focused on my reference display, not on a dancing light show.
What I would like to use is an small 1024×768 display and be able to configure the software to display just the scopes that I need. A UI like Scopebox (scopebox.com), where individual elements are positionable and scalable would be ideal, but I’d settle for a basic resizable window and toggleable scopes.
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There are value curves, yes, but hue curves are a little different. In a hue curve, the x axis represents a hue (from red around to purple) and y represents saturation or some other property. That way I can, for instance, take the saturation out of reds and greens, but raise it for blue. (It’s also good for removing spill from a greenscreen, but I’m more interested in the color-correction possibilities.)
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“Your question is a common one coming from “Avid Centric” editors. Once you figure out how FCP is approaches this process, there is no problem with integrating previous sequences into a final composition.”
This is true, but it also comes from an editor with tendonitis who wants to use the mouse as little as possible. Is there a key binding for switching tabs?