[Owain Hopkins]

I rung adobe and the only solution the could suggest was to

*go to finder
*Click GO
*Hold down the option key to make library appear
*Navigate to Library/application support/adobe/common
*Delete everything in MEDIA CACHE & MEDIA CACHE FILES

Bit of a pain but this should clear it

[Owain Hopkins]

Actually, I just found the firewall in the mac OS system preferences but it is turned off?

[Owain Hopkins]

Do you mean on my mac or in the router settings?

Any idea how I do thus?

[Owain Hopkins]

Hi Jurjen,

I got it to work!

The new Resolve 11 lite does it.

1. I imported DNG’S into resolve
2. Selected ‘Assist using reel names’ in the settings
3. Exported proxies using the ‘Final cut xml round trip’ from the deliver tab
4. Edited proxies in premiere (with no transitions)
5. Exported XML from premiere
6. Opened XML in Resolve and made sure not to import the proxies with it
7. Bingo!

Owain

[Owain Hopkins]

Hi jurjen,

Did you ever solve this problem?

I am trying to import an xml but keep getting the same message no matter how many options I change.

thanks,

owain

[Owain Hopkins]

Here’s an image:

[Owain Hopkins]

hello,

Did you ever figure this out? It’s driving me crazy?

Owain

[Owain Hopkins]

Hi nathaniel,

I don’t know of any way to re-open the Raw files in AE once you’ve imported them.

A workaround is to maybe open the files in camera raw, adjust what you want and then ‘synchronise all’

These changes should carry through into AE then

[Owain Hopkins]

Here’s what I went with in the end. Brace yourself

Workflow:

1. Convert RAW to DNG with Raw Magic
2. Make Proxies out of Resolve – https://youtu.be/U6FReSc6ZKE
3. Edit in Premiere
4. Export as an EDL – (May not work if you have transitions and adjustment layers)
5. Link EDL to DNG files in Resolve
6. Grade / apply LUT or both
7. Export at highest quality
8. Put HQ files into Premiere
9. Link to after effects for FX and apply animorphic look – https://vimeo.com/77950951
9. Export at Best quality from Premiere

Phew!

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[Owain Hopkins]

Hi casey,

Thanks for the info. I came up with this workflow last night which seemed to work:

1. Put ‘Black Video’ into a Premiere sequence and then ‘Replace with after effects sequence

2. When in AE, import the DNG files and place into the premiere linked sequence (I convert them to proxies because my computer isn’t very fast)

3. Go back and edit the linked sequence in Premiere. And best of all, if you need to edit the raw files, open them in Camera raw, synchronize every DNG image, save them and they should then link through to AE (after you reload the file) which in turn links through to Premiere.

Bit of a fiddle but at least it’s non destructive.
Owain