Hi Maurice.
Thank you for the advice.
>>i have my doubts for a studio enviroment. (depends on the kind of program you shoot) please tell us more
I am hoping to shoot Infinite White.
https://vimeo.com/789519
Here is a picture of my screen. It is actually white polyester fleece.

Here is a picture of one of my two studio lights, along with one of my two key lights.

In the video they mention extra lights on the feet. I am not 100% sure what I am going to do for that yet. He mentions using clamp lights, so I got them, but the bulb sticks out of the front of the light, which spills unwanted light on the subject (me). I will try to mask it with simple aluminum foil, but it would be nice to make something long term out of white foam core, or something.
My studio space is my living room, so I only have 16 feet total space from focal plane to screen. I plan to raise the camera up to about eye level, and then angle down.
I was able to obtain a Canon T2i to test with, with the 18-55mm stock lens. Zoomed all the way out, I still have to stand about 9 feet from the camera to get a whole body shot, but that puts me into the side-spill of the screen lights (which is no good).
Since the T2i and the 7D are both reduced frame lenses, I thought my best bet would be to get the 5D with the 16-35mm L series lens. That should allow me to stand about 7 feet from the lens, which will clear the spray from the screen lights. That will just about finish my budget, but I secretly wanted the full frame sensor and the L series glass anyway 🙂
I plan to install the new 29.97 firmware upgrade, as well as Magic Lantern and the JuicedLink DN101 on my JuicedLink CX431 (to defeat AGC). The DN101 is less expensive than a Zoom H4N, and if I use the DN101, my editors should not have to synch audio in post.
The basic plan is for a half hour show with a Total Run Time of 28:30. I am planning three main ‘movements’ of nine minutes each, and then maybe a thirty second intro, a fifteen second outro, and a 15 second spot.
I rehearse my presentation when I write it, and then it usually only takes me two or three takes for each nine minute shot in order to get it right. Then I would hand off the footage to my editors.
I will say the test footage took a long time to upload via ftp.
I also have a green screen, if I ever wanted to go that route. The advantage of the white screen is that with a white background, the halo is white; so when presenting in ‘infinite white’ it can save a lot of time in post, because the correction does not have to be perfect.
Do you think the 5D will work with that?
Norman Willis
http://www.nazareneisrael.org
Some contents or functionalities here are not available due to your cookie preferences!
This happens because the functionality/content marked as “Vimeo framework” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.