Forum Replies Created

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  • Norman Pogson

    November 10, 2010 at 9:23 pm in reply to: Video color space

    It’s quite clear, he put a period and then said “. sRGB or Adobe RGB for photos are essentially the same thing – a way of conforming image data from the sensor to a space.”

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  • Norman Pogson

    November 10, 2010 at 8:43 pm in reply to: Video color space

    Robbie Carman“sRGB or Adobe RGB for photos are essentially the same thing”

    Adobe RGB and sRGB are two different absolute color spaces, they are mapped in a totally different way. They vary widely in “size” of colors they are capable of reproducing, thats why RGB on a computer monitor looks duller than sRGB.

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  • Norman Pogson

    November 10, 2010 at 1:42 pm in reply to: Video color space

    Not really but, there are different sizes of color space, the Canon 7D has a color space of 4.2.0 I use Cineform Neoscene to transcode my footage to a .avi file and Cineforms codec increases the color space to 4.2.2 This is similar to sRGB and RGB in that RGB is a bigger color space than sRGB.

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  • Norman Pogson

    November 10, 2010 at 1:38 pm in reply to: light meter suggestions

    It’s not about exposure like the zebra bars do, it is about light ratios, so you can give a studio shot some shape and modeling of the light and shadows within excepted tolerances.

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  • Norman Pogson

    November 9, 2010 at 6:03 pm in reply to: light meter suggestions

    I have a Sekonic L-358, I bought it for studio flash for still photography and it works extremely well. It will also work in cine mode for filmmaking and I have used it a couple of times on set for double checking ratios. I have just got to know my lights and camera well that I now eyeball the light ratios for stills and movies.

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  • Norman Pogson

    November 6, 2010 at 8:02 pm in reply to: Ethics of “Hiring” Unpaid Production Assistants

    If you can give some level of training and work experience, then offering this to a film student or someone looking to gain “real” experience I think is fair.

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  • Norman Pogson

    October 31, 2010 at 9:25 pm in reply to: DSLR lenses – starting off

    A wide aperture is important, the more light you can give the sensor the lower the iso you can use and get less digital noise on your footage in dimmer light. I have the Canon 50mm f1.4 and I’m thinking of getting a wide prime as well.

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  • Norman Pogson

    October 22, 2010 at 1:49 pm in reply to: Treat Your Canon 50mm 1.4 Lens CAREFULLY

    Thanks I wasn’t aware of this problem.

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  • Norman Pogson

    October 22, 2010 at 1:48 pm in reply to: What Nikon Lenses (old non-zoom) work with EOS T2i?

    I use Nikon manual AI lenses on a 7D with an Ebay adaptor, they are very good. Nikon lenses also have a hard stop on the focus wheel, unlike Canon lenses, so you do know when you have arrived at the end of the focus.

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  • Norman Pogson

    October 20, 2010 at 2:16 pm in reply to: A days work lost? CF card with 0kB .movs

    I’m really sorry for you it must be very disappointing. My solution stems back to being a stock photographer and having $ invested in a shoot.

    I use small capacity cards and change them out regularly during a shoot as I fill them up. I have 4GB and 8GB and lots of them.

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