Replies – Forums – Nina Tenny

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Nina Tenny
July 19, 2017 at 5:53 pm in reply to: Originally worked in DNxHD36, trying to reconnect to DNxHD175 now

Thanks Brent, I actually tried relinking from the master clips and not touching the group clips, and it worked well — definitely better than relinking through group clips.

However, I’m getting a new problem now… it seems like some of the master clips are arbitrarily not reconnecting.

I checked the tape ID and other data on the clips that aren’t reconnecting and they seem the same as the other clips, and match their 36 versions as well. I try reconnecting them manually using a bunch of different criteria and nothing seems to work. Any idea of what’s going on?
Nina Tenny
July 19, 2017 at 5:05 pm in reply to: Originally worked in DNxHD36, trying to reconnect to DNxHD175 now

Yes, I checked — the master clip tape columns in both the 36 and 175 projects are identical.

I did relink the files by clicking on the group clip and selecting “relink” through that gateway (with “Any video format” selected in the pulldown menu and “only media from this project” unchecked). Do you think that caused the problem — should I have only relinked the master clip?
Nina Tenny
July 19, 2017 at 3:37 pm in reply to: Originally worked in DNxHD36, trying to reconnect to DNxHD175 now

Hi Michael — can you explain what you mean by “commit your multicam edits and try relinking again”? Do you mean create the group clips again?
Nina Tenny
July 19, 2017 at 3:36 pm in reply to: Originally worked in DNxHD36, trying to reconnect to DNxHD175 now

Yes, I’ve already done hide and find from the very beginning — the 36 files are not on the drive. All the metadata is the same (name, timecode, etc.) except for the higher bitrate.
Nina Tenny
June 21, 2017 at 12:51 am in reply to: Bringing a sequence from Premiere Pro into Avid 8.8.3

I’m not sure — I’m on a large production set and the DIT is in charge of transcoding. Not very long — we’re dealing with about 100GB pro res proxies a day, I think it takes less than an hour to transcode that to DNxHD36 in Resolve.
Nina Tenny
June 13, 2017 at 11:15 pm in reply to: Bringing a sequence from Premiere Pro into Avid 8.8.3

Thanks for this. The thing is, I already have MXF files of all the clips, it’s part of our workflow. Every clip exists in both Pro Res and DNx36 MXF. Are you saying I need to convert the media to MXF again in order to import this sequence? I can’t just somehow point to the directory with the existing DNx36 MXF files?
Nina Tenny
November 16, 2015 at 2:35 pm in reply to: DVCPRO SD tape footage – 3×2 looks squished, needs to be “unwrapped” to 16×9?

Yes, using the anamorphic 16×9 setting under sequence settings has helped with viewing the footage in FCP 7… but don’t I need to convert something in the footage so that the exports will look correct? That would be the most important thing, that exports for screenings look correct and not squashed. Thanks for your input!
Nina Tenny
September 26, 2012 at 2:21 pm in reply to: Problems with LINKING audio and video files in FCP7

Yes I’m familiar with pluraleyes. My question has to do with linking audio and video after they’ve been synced, and if this causes anyone else corruptions in the files like the problems I’ve been experiencing.