Thanks for the reply guys,
Rennie, those are interesting thoughts. But if the image is overexposed I would think that the in-camera whitecutter would bump down the whole signal, and not distort it as it is now.
I upgraded to the HPX500 from a Sony FX1, and I’ve done hundreds of shots like this on the FX1 without ever seening anything like this.
I would be shocked if a better and more expensive camera like the HPX500 would not be able to handle such shots. At the TV-station I work, I daily see footage from ambulance chasers, shot with really cheap cameras – And I’ve never seen this before.
In Avid – thru Mojo – I get the same image.
Jan – I guess that could be the problem. But again I would find it very shocking if the HPX500 can’t handle something that the FX1 can do problem free.
I’m goning to do some more test:
Shoot same situation in different formats, with different lenses and exposures.
Check sync signal compared to waveform numbers.
I’ll report back here.