Nick Corder
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Those were my specific examples. I guess the question was vague. Thank you for addressing the Kenneth Anger videos. My thought process in regard to the issue was that if “cinematic” material is so easily identifiable than its antithesis would be as well. I’ve been looking into selective sharpening, which I think is what I was looking for originally.
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I was imagining such experimental films such as those of Kenneth Anger, and also the work of Lubezki in Y Tu Mama Tambien.