[Nels Mclaughlin]

Hi Patrick –

Did you ever figure out how to move custom sequence settings from PP CS6 to CC? I’m going through the same transition and issues now and was wondering if you found a solution?

Also – any idea how to move custom Title Styles presets from CS6 to CC?

Thanks!

[Nels Mclaughlin]

Did anyone find a reliable fix for this, aside from restarting the computer? I just tried calling/chatting with Adobe, and they refuse to help me since I have CS6.

[Nels Mclaughlin]

Luke – did you ever get this problem solved? I’m having the same issue but didn’t see anything after you posted your system settings.

[Nels Mclaughlin]

Hi Dave –

This solved my problem, after I had to go back and re-place (not replace) them on my timeline. It didn’t do it automatically for some reason – is it supposed to? I had to delete the clips from the timeline, then change them the Field Dominance, then re-put them on the timeline and it worked perfectly.

Thanks Dave!

[Nels Mclaughlin]

To get the data onto my RAID setup, I put the CF card into a card reader and just drag the entire CONTENTS folder into a folder named for the event.

I tried copying just the clip 101 folder (containing the CIF, XML, XMP, MXF, and SIF files) into the one that I want and it didn’t seem to work. Do I have to include the INDEX.MIF and JOURNAL folders when I copy it elsewhere?

[Nels Mclaughlin]

I had the same exact issue as the OP, and I followed Steve Eisen’s advice (running the clips through AME) and it worked perfectly. Problem solved!

[Nels Mclaughlin]

Thanks everyone – not knowing how to make an audio ‘model,’ I decided to take parts of everyone’s feedback. The first thing I did was to take teh audio in to STP and removed the background noise using Set Noise Print/Remove Noise giving me some pretty clean/clear audio. Then I found the room tone/fill from the original shoot and put that underneather the new, noise printed (can I call it that?) audio so there were no noticeable cuts/changes in quality. I played with the EQ a little – added a tiny amount of bass – just to see if it would help (and it did).

The resulting audio didn’t exactly match – I can tell they were recorded at different times, but no one else who QCd could really tell unless I pointed it out, which is all I was looking for in the first place.

Thanks to everyone for their help!

[Nels Mclaughlin]

I had been using a copy of the arrow, which led to the ragged edges. I just used a solid of the same color, and it’s exactly what I was looking for. And you’re right, I did have to mess with the stroke a little, but it was the way to go.

Thanks!

[Nels Mclaughlin]

Darby –

After working with what you had suggested, I was able to figure out the solution. After applying the stroke to a non-continuously rasterized layer (like you said), copying that to a layer beneath it which had no stroke and was continuously rasterized and making that a track matte, I was nearly there. The edges of the arrow were a little ragged, but duplicating the two layers made it so you could only tell the layers were a little ragged if you were zoomed in to 800%. And since this is going to be seen almost exclusively online, it was good to go.

Thanks for your help, Darby!

[Nels Mclaughlin]

I will give that a shot and report back with my results. Thanks for the help!