[Nathan Delannoy]

Hi Rafael,
Thanks for your quick response,
I don’t know the ¨Photo JPEG process at all so I have some (possibly) naive questions:

Are you suggesting the offline rt photo jpeg in final cut? I have tested this and the quality is extremely poor, plus it seems there is a massive loss of resolution (from 720×576 to 320×240). Let me know if i am going wrong somewhere.
Any ides on what File format I should use for HD archiving?

Thanks again

[Nathan Delannoy]

Thanks to everyone for your help,
as often it’s a case for better preparation and communication at the conception the project.
You live and learn as they say.
Thanks again.

[Nathan Delannoy]

Thanks for your help. Will let you know what the trouble was when I get this fixed (fingers crossed)

[Nathan Delannoy]

“And this is what the Kona is set up for?
PAL SD output via Analog Out. This is what you’re seeing in the AJA Control Panel?
And you have PAL Bars set up in the Control Tab of the Control Panel?”

Yes to all the above.
The Kona appears in the OS in PCI slot, and appears in the audio set ups… but to no avail. I get a “NO SYNC” display on my monitor

[Nathan Delannoy]

Thanks for the quick response.

I am getting no test pattern through to my SONY PVM 14-L4.
I am working in PAL so am using 625i25 in anlaog out (RGB, component);
in Final Cut am using the DV PAL easy set up but as no audio or test pattern coming through from my desktop I figure the issue is elsewhere that Final Cut.