[Mikhail Konovalov]

I’m so glad my experience helped someone out there. I remember how tough it had been to figure it out, no information whatsoever. Collective wisdom rules! :^)

[Mikhail Konovalov]

[Roei Tzoref] “what about the workarounds I suggested?”

You type faster than I do. I started answering in a postscriptum edit to my post to follow-up on those, but seeing your reply now, discarded it.

The “2*” is perhaps indeed the best as a workaround and witty enough for me not to have figured it on my own, thanks, but it only “kinda” works if I extend only one layer. Whichever is not extended (in the Photoshop Timeline) gets its Out point to move but visibly dissapears as if having its Opacity set to zero at its last frame in Photoshop. I haven’t yet had the time to test it thoroughly enough, oddly some layers follow this behavior, others don’t. Has to be fiddled with a little more, and as bad luck must have it, opening it directly from the cloud-synced Google Drive directory somehow damaged it and I cannot open it anymore, so untill I once again have access to the original.

The “3” will have to wait for the same but technically appears even more crutchy than time remapping.

My chief wonder had been whether it was a bug or some new feature that I missed or haven’t figured out. Now that it’s settled, nothing’s bugless. Thanks for clearing this up.

“in your recording indeed the sequence checkbox is unchecked and your layers were imported as psd layers with duration, and not with the sequence Icon like before”

This is a different computer now, with perhaps different file associations (although should be the same unless someone changed something), and besides the icon, the summary in the Project window is still of a sequence (having temporarily lost the access to the original file, I cannot look up the interpretation dialogue now). A still would not have properties such as frame rate listed in its attributes. **

“it’s all the same of course because they do have duration.”

They have a fixed duration and thus behave as a sequence… while not being a sequence. This is some new breed then, so far it used to be either one or the other. Or it’s simply a bug, which then alleviates all investigation, being the end of it. Where there are bugs, are workarounds.

“5 seconds. so I have 5 seconds in Ps and 5 seconds in Ae.”

Whoops. My bad, then, sorry. There must have been versions of the file with the same name that I have mixed up. It’s then at least logical for the durations to coincide, no black magic.

Thanks for taking part in untangling this!

** EDIT: And, do or do not take my word for it, but for the previous screenshot showing the source items with a sequence icon next to them, I also imported the file with the Sequence unchecked.

[Mikhail Konovalov]

[Roei Tzoref] ” I find the integration between rotoscoping in Ps, and video in Ps with Ps->Ae workflow fascinating”

Perhaps; I haven’t tried any of that.

“all of your layers were imported as sequences. you can see it by the icon.”

Yes, I can see the icon and I can read the source item summary at the top of the project window. They are imported as sequences, 5 seconds @ 25fps. This is the problem, indeed. However:

“you should import them with the sequence unchecked. “

Y U NO beeleave me?! That’s what I did. I made a separate screen shot just for that but didn’t post it: it being a separate screen shot, wouldn’t convince you of anything. OK, I’ll capture a video of the whole process and post a public link below. Having been using After Effects since version 4.0 in the late 90’ies, I wouldn’t have missed a checkbox. I import it as still layers, it gets imported as sequences. That’s the problem.

“still you are correct, it seems that when you import a video timeline that has a video layer all of your layers will be imported with the duration that was set for them in PS.”

I cannot be correct on that, having never stated it; however, the statement itself is incorrect. As it is apparent from the screenshots, the layers’ duration is 2:00 in Photoshop but 5:00 in the After Effects. No interpretation can be guilty of that: for a non-video, static-by-nature, one-frame Background of the PSD to become 5 second in length, it would have to be either interpreted at 0,008 fps (the project window summary unequivocally displays that it is at 25 fps, my default for the sequences), or contain 125 frames: impossible, too, as I hope you’ll agree.

Here is the video recording of the process anyway: https://drive.google.com/file/d/0B1mvi9KB-6D1UEE5aGJjRWIxeHc/view?usp=sharing

“(beautiful animation BTW)”

Thanks; it’s not mine, however. I’m only trouble-shooting this.

Thanks once again.

[Mikhail Konovalov]

[Roei Tzoref] “but we can’t tell because Op never came back…”

Indeed. I considered the overlooked checkbox too obvious a reason, also myself was stumped at similar problem but of a different genesis. I searched forums at Adobe’s site as well, and only found advice similar to my crutch (time remapping layers, or else deleting all data in Photoshop Timeline and re-saving the .psd).

Here’re the screenshots of the problematic file in both Photoshop and After Effects (imported as Composition, Sequence checkbox unchecked)

Photoshop:

After Effects:

and the source file itself:
https://drive.google.com/file/d/0B1mvi9KB-6D1YzJmdEFDR25mWTA/view?usp=sharing

Thanks for your time!

[Mikhail Konovalov]

Maybe you have someting done to the PSD in the Photoshop’s own “Timeline”. Check if it’s not 8 frames there. I’ve encountered the same, the fix was to delete all animation in photoshop document and resave it, it then imported into After Effects as normal. But I would like to know if there is a way to retain photoshop animation (i.e. settings in the Photoshop’s own “Timeline” panel) and yet to be able to ignore or override it upon having it imported in After Effects as a composition so as to change the layers’ duration freely. Hope I’m making myself clear enough. The only workaround I came up with for now is to assign Time Remap (Ctrl+Alt+T) to the layers, but a crutch is a crutch.