Mikeymoves
Forum Replies Created
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Yes, this would be my first film job where someone isn’t basically holding my hand!!
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Guys, forgive me on my seemingly basic questions, but when you do a best-lite (is that the same as a telecine?), do you do only circled takes? To save on costs, would I capture all the footage at DVCPRO HD from the HDCAM SR deck, cut a DVCPROHD “offline,” then online at HDCAM SR 4:4:4 at a facility with my DVCPRO HD EDL?
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> What if you did a best-lite to DVCPRO HD at 23.98, rather than offlining in SD? Isn’t the bandwith less of an issue with DVCPRO HD as well? I have a 23″ Apple Cinema Display that I could use as an HD monitor. Can’t I cut in DVCPRO HD and utilize its more robust color space and effectively “offline” in DVCPROHD, pump out an EDL, Telecine that footage to 2K or HDCAM/SR and do a DI and then output a universal master?
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So, if I telecine to DVCPRO HD, do I do it at 24p or 29.97 with pulldown? Also, would the aesthetic value of shooting Super16 be lost if I go to DVCPRO HD? Would it be better to telecine to DVCPRO HD for an offline, then conform the negative and do either an HD DI or 2K DI?
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Well, how do you think your workflow would translate if you substitute delivery on a digibeta to a DVCPRO HD delivery?