[Michael Werner]

Thanks Ivan. That’s helpful.

And I read an article today from the Wolf Crow site — https://wolfcrow.com/blog/what-is-full-swing-studio-swing-and-how-to-work-with-video-levels-in-adobe-premiere-pro-part-two/

The article made it sound as if the Premiere Pro timeline works in studio swing (16 – 235 luminance range). What I took away from it was that I could work with native files in the Premiere Pro timeline and the final exported master would be in a 16 – 235 luminance range that was broadcast ready, no need to apply a Levels effect with black output set to 16 and white output set to 235.

What are your thoughts on this?

Thank you,
Michael