Forum Replies Created

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  • [brianlaz] ” I assumed favorites would act like sub-clips–you could have them in one place and look through them like they were clips.”

    I think that was Apple’s idea, but they’re more limited than subclips. With subclips you could subclip just the audio, the video, video and specific audio channels, and subclips could have overlapping media. With favorites, the video/audio selection always follows the master clip, and if two favorites overlap they become one large favorite. Very limiting, compared to subclips.

    Submit a feature request to Apple about how you’d like to filter favorites only, independent of the master clip.

    https://www.apple.com/feedback/finalcutpro.html

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    Michael Hancock
    Editor

  • Michael Hancock

    September 13, 2017 at 8:34 pm in reply to: Adobe – IBC

    [Steve Connor] “Just like FCPX :)”

    Just like FCP7!

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    Michael Hancock
    Editor

  • Michael Hancock

    September 4, 2017 at 11:40 am in reply to: FCPX and color correction tools

    [Robin S. Kurz] “At no point did anyone mention a control panel nor make it any part of their argument, let alone say that a mouse trumps a control panel or the likes. “

    You should read the entire thread. Control panels are discussed multiple times in regards to both speed and functionality.

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    Michael Hancock
    Editor

  • Michael Hancock

    August 28, 2017 at 11:15 pm in reply to: FCPX and color correction tools

    [Bill Davis] “Something that for the type of correction I need to do most often – turns out to be significantly faster. I don’t have to juggle three separate wheels for every correction.”

    I’m curious how it’s faster. With color wheels you have shadows, midtones, and highlights. With the color board you have shadows, midtones, and highlights (and overall). And with the color board you have 3 separate tabs to cycle between for color/saturation/exposure. Seems like just as much, if not more, to juggle, with the color board than with a basic three way color plugin.

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    Michael Hancock
    Editor

  • Michael Hancock

    August 24, 2017 at 6:54 pm in reply to: Apple’s official FCP7 EOL

    Tangent Ripple is one.

    https://www.premierebro.com/blog/tangent-ripple-review-the-lumetri-color-panel-control-surface

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    Michael Hancock
    Editor

  • Michael Hancock

    August 21, 2017 at 11:50 pm in reply to: FCP X – steady as she goes.

    [Michael Gissing] “Indeed using LUTs in practice has taught me to insert a LUT on the second node in Resolve followed by a third node. this allows me to take a log or film look image and do highlight/lowlight recovery on the first node, before a LUT is applied. “

    Depending on what you’re doing in the first node, you probably only need 2 nodes. First node is preLUT + LUT, second node is post LUT. See the order of operations here:

    https://vanhurkman.com/wordpress/?attachment_id=3331

    Only HSL curves, Channel Mix, Soft Clip, Defocus, and Node Sizing are applied after a LUT, on a node. So if you’re just adjusting exposure/contrast/color balance you can do it on the same node as the LUT and it will be identical to your 3-node structure.

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    Michael Hancock
    Editor

  • Michael Hancock

    August 19, 2017 at 11:24 pm in reply to: The name game

    NLE Mass Debating. Too crude?

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    Michael Hancock
    Editor

  • Michael Hancock

    August 17, 2017 at 6:59 pm in reply to: FCP X – steady as she goes.

    You can still get the Lightworks console.

    https://www.lwks.com/

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    Michael Hancock
    Editor

  • Michael Hancock

    July 25, 2017 at 7:56 pm in reply to: Core melt Causing Aliasing?

    [Ted Cox] “Is there a better term to describe those?”

    That’s banding.

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    Michael Hancock
    Editor

  • Michael Hancock

    July 14, 2017 at 4:00 pm in reply to: What would really make you excited- Round 2

    That article is great. Thanks.

    When I submit feedback on an app, I’ve always submitted it under two headings:

    PROBLEM: This is the problem I am having.
    PROPOSED SOLUTION: Here is how I think it could be solved, or what I need to happen for it to no longer be a problem.

    I’ll have to think about how to better submit concise but clear stories.

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    Michael Hancock
    Editor

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