Michael Hampshire
Forum Replies Created
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I know the pro ress lenght is off thats the problem. I have a screen that is 12 ft high and 60 ft long that three projectors display on to make 1 giant seamless image. Our normal canvas is 2560×768. We generally put a 16:9 interview in the center of the canvas so there is no distorition of the original image. the 1280×284 is a multiple of the 2560 canvas I was testing out to try and make my timeline render faster. And I only media managed copied to a new profile so that I could see if it was the footage that was wrong but it is working fine the way it is suppose to on the other profile… I don’t normally share projects to other profiles. And the length of the project is def the same. I’m going to check to make sure it says self contained tomorrow on the export. But I’m almost positive it was.
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ok thanks for the response. I just have one last question. is doing what i stated above, would that be faster and have better performance than having your scratch disc to esata? To me it seems like it would be faster to do internal.
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thanks. But i only export my files to the desktop from final cut. the scratch disk is external and everything is stored on that. is that a no no?
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thankyou i’ll try that.
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I’m sorry I’m stupid in this area. Could you go through the steps on exactly how I would go about down converting into pro ress and then what I do after that? If its not too much trouble. I kinda get half of what your saying.
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Its 1080i buts its going to be down coverted to an SD resolution for an SD dvd. I assume the original framerate is 60i since they are broadcast cameras although I would have to check for certainty.
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white text with black background. I actually discovered its possibly a hardware limitation on my computer because its not good enough for any pro work that I do. If I cut the resolution in half in export the video its fine. I just really need it to be 2560×768 and not at half resolution.