Michael Gissing
Forum Replies Created
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Ben,
I have just been working on a show with lots of slowed PAL shots from digi beta. I SDI recaptured the online images from a DV offline version which made verything upper field and found that a lot of slo mos looked a bit juddery unless the frame blend in the time remap section was ticked. It smoothed them a lot. Partiulalrly bad were the 50% slo mos.
The original judder was not as bad as fields reversed. I also noticed the shift fields filter had sometimes appeared (and had to be deleted), but assumed the original editor had put it in.
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Dave,
Many thanks for the offer. I have made direct contact with you via your web contact page.
Thanks
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Thanks Oliver.
I will download the plug in and try it out. Meanwhile I was able to source a JPEG of the logo which will do, but I am a bit surprised that Discovery were only offering an AAF. With MXF and all the other competing interchange formats, life is going to be full of Auto Duck fixes methinks.
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From your cryptic description, it sounds like the there was a slightly delayed feed of the host audio back into the desk. This would sound like a stranger phase doubling, making it sound ‘tinny’.
No filter can help with that scenario. At best you can EQ to add low frequency, but the phase situation can’t be unmixed
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Do the vari speed, trim the audio to where you want it to start and stop. Lay the normal speed audio (just the audio – deselect the video) where you want it.
Easy way to do this is to select your clip in the viewer, press APPLE+OPTION+F to load the original normal clip into the viwer (without the speed up), mark and then overwrite. Might be safer to put the normal audio onto a seperate track.
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Did you try to patch the AES audio from the digi beta into the Decklink and change it to AES input?
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Michael Gissing
August 14, 2006 at 6:21 am in reply to: Workflow confusion – 23.98fps and 29.97fps togetherI would leave the sequence at 29.97 and try de-interlace on the footage shot 29.97i to match the 23.98p. There are better deinterlacers than FCP built in ones. I am about to purchase Nattress film effect filters on the strength of raves about de-interlacing.
What do you need to deliver though? a 29.97 master or 23.98?
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I have a keyboard with FCP keycaps with all the shortcut legends. I also found online a pdf with all the FCP keystrokes mapped. If you do a search I am sure you can find it. I also use the Shuttle Pro2, a usb device that plugs into the keyboard, which lets you program buttons and has a jog shuttle wheel
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Good timing Bob. I discovered the same bug last night trying to do an insert into an HDCam deck. The out point was on the frame where a fade out/ fade up was happening and it drove me nuts until I moved the outpoint to a straight cut. We repeated the bug on and 1800 and a digi 2000.
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Might have more luck at the Automatic Duck forum. Unless the Duck converts Nuendo to an FCP project, then I don’t think you will have any luck as FCP won’t import an OMF.