[Mauro Moreira]

Thanks for your reply Michael.
I’ve tried that and receveid this message: “None of the selected sequences had Multicam Information. No modificactions were required.

I really don’t know how to figure this out.

Thanks.

[Mauro Moreira]

Thanks guys, i`ll receive all the material today and try again.
But know i`m happy to know that audio is not recorded by frame rate!
I`ll let you know.

Thanks

[Mauro Moreira]

NTSC, thats for sure, i think i will make some tests without any change, and try to put the a shift fileds filter in the Dv footages.

Tks all,
this is kind of a class to me.

[Mauro Moreira]

David, I know i have to do a better and planned re-edit, but in the actual circustance, i just don`t have this option.

Michael, do you think i dont have do de-interlace before going to tape(it wont have problems in the projection?) If , yes, this is very good news.
About the movs from color, i have them all SPLITED in the Renders folder inside Color Documents, and i have the projetcts too.
I ve tested the clips inside those folders, and they are all interlaced (HDVs).

Tks again.

[Mauro Moreira]

Michael, first of all, thanks for the reply.

The movie just entered a competition, so i need to put the .mov in a delivery tape (betacam or similar).
Before that, all copies were DVDs, so i didnt have thsi problem.

The atual sequence in FCP is ProRess 422 HQ 1920×1080 Upper Field, thats the same setting of the movs that came from Color.

The color grading is already done by a third part (i have the projects and renders, but i did not do it), and thats the material i`ve got to work.

I was thinking, is it a good thing to do a de-interlace on all Color renders inside color(re-render in Color)?

Tks