[Mauro Baldanzi]

Thank you a lot Mads,

At the moment is very complicated because there isn’t a post sup or similar on the project yet so I don’t know who to ask anyway I have asked the producer about the post house delivery details etc.

Returning to avid though I am a bit confused, but I think I found a solution, essentially my need was having inside of Avid two sets of the high framerate clips, one set that plays in 24fps so slow mo, and one set that plays in 48 or whatever so I can sync it with audio in case they need it as well.

My solution was, but happy to be wrong to ask the DIT for two sets of clips one in 24fps that plays slow mo and on in the native framerate that I can sync with the audio,

if I get instead one single set of them is impossible(to me at least) to make the other set in avid in a way that is not the most timeconsuming task in the world xD

Mauro

[Mauro Baldanzi]

Hey Mads,

Thank you a lot for your help!

In this case the clips have been shot in 50 and 100 fps with purpose because are action scenes, at the end I spoke with the DIT and found a way to receive them in a usable way even though, and this might be out of what I initially asked I am not sure how to process them into avid.

After I import them they’re 48fps let’s say and to ingest them I put them into a sequence they have on top them temporal adapters,

and I would like to apply a timewarp on it I can’t,

I have tried to promote it but I have been advised that promoting it can create conform problems later down the line and apart from that when I change the speed of the clip(because a 48fps clip in a 24 fps timeline) from 200 to 100 then the clip doesn’t change duration to adapt to the slow down and even manually I cannot extend it

Happy to receive more help even though it’s out of the original scope of the post, I am in a bit of troublesome situation!