Martin Jordan
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Maybe throwing in some stock footage or photography.
Digitaljuice.com comes to mind. For a couple hundred bucks you could by a lot.
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How do I make a window burn?
I think this is what I want to do.
And then when I output the final .mov I’ll just leave the time code out.
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID Externaal, 4TB Internal, ATI Radeon HD 4870 graphics card, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
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Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
Hey Jeff,
I think I recognize this group. What is their name?
thx
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID Externaal, 4TB Internal, ATI Radeon HD 4870 graphics card, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
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Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
Well there’s tons of examples on adobe.tv
Creative Cow Total Training
And try https://www.videocopilot.net.
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, ATI Radeon HD 4870 graphics card, 4TB RAID 5 External, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
The entire Adobe Creative Suite 4, Design Premium.
Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
What I’ve sometimes done in the past is open AE and create a composition with the size & settings you want. Don’t use presets.
Then import you footage into the project panel.
Then drag your footage file into the comp icon above in the project panel and your footage should pop right into the timeline with the correct aspect.
Hope this helps.
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, ATI Radeon HD 4870 graphics card, 4TB RAID 5 External, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
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Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
Hey Dave,
Sorry I jumped the gun to quick here. Log & Transfer in FCP brings P2 AVC Intra clips in as ProRes 422 (HQ).
That’s not h.264 right?
H.264 codec is down sizing clips say for instance the web.
Reading you comment there perked up my ears and just want to make sure “I” got this right.
thx
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, ATI Radeon HD 4870 graphics card, 4TB RAID 5 External, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
The entire Adobe Creative Suite 4, Design Premium.
Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
Hey Dave,
Boy that’s an interesting piece of info. about the codec’s.
Let me ask you something:
We shoot P2 and then Log & Transfer into FCP. Doesn’t that process convert to clips to H.264 .mov’s? Because a lot of times we use that footage in AE.If your answer is yes it does, then what another process to get clips off P2 cards into a codec that works?
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, ATI Radeon HD 4870 graphics card, 4TB RAID 5 External, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
The entire Adobe Creative Suite 4, Design Premium.
Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
Make sure you have Flash Player 10 installed.
And, MAYBE turn off a program or 2 to give more available ram or any other browser windows that are displaying flash ads or something else that is taking up bandwidth. Just a thought.
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, ATI Radeon HD 4870 graphics card, 4TB RAID 5 External, FCP Studio 7, AE 9.0.2, Boris BCC, FEC, CoreMelt 2, FxFactory Pro 2, idustrial revolution Volumetrix, Yanobox Motype, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Panasonic HPX300 Video Camera.
The entire Adobe Creative Suite 4, Design Premium.
Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
Yeah, PS is the best way to go here. Colorize them there and reimport and update in AE.
Save them as PS files preferably in one layer since this is pretty simple as you said.
As far as these mid project changes, I remember reading a little while ago someone started a thread, “Do you use contracts”.
It was amazing how many did not. We NEVER do ANY job without having all the “T’s” crossed & the “I’S” dotted FIRST and we also always stipulate that if further changes are requested that go outside these terms, time will be kept and billed at “X per hr.”.
So I don’t care if they change till Christmas, they’ll pay for it.
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, RAID Card, ATI Radeon HD 4870 512MB, 4TB External Raid, FCP Studio 7, AE 9.0.2, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Dual Core, 10.5.7, Panasonic HPX300 Camera.
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Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988. -
What vehicle are you watching these through?
Browser, plugins etc.
Quad-Core, 2.93GHz, OS 10.6.2, 32GB Ram, 4TB RAID 5 Internal, RAID Card, ATI Radeon HD 4870 512MB, 4TB External Raid, FCP Studio 7, AE 9.0.2, Squeeze for the Web, MacBook Pro (MBP) 2.6 GHz, Dual Core, 10.5.7, Panasonic HPX300 Camera.
The entire Adobe Creative Suite 4, Design Premium.
Owner of Full Graphics Design Firm Houston, Tx 20 yrs.
Mac user since 1988.