[Martin Hickford]

Did anyone have any joy with this?

I’ve had the same problem where Sony F5 footage is having a Rec709 LUT automatically applied as a master effect, but the ‘Sony Raw Source Settings’ effect that’s automatically applied only lets me choose between Rec709 or Slog-2. My footage was shot in Slog-3, so how do I tell that to Premiere? When I disable the ‘Sony Raw Source Settings’ it just defaults back to the ‘Rec709’ look. This begs the question… What’s the point of having an Slog-3 Input LUT on the Lumetri Colour Panel, if Premiere is incapable of identifying any footage as being Slog-3?

I’ve had to apply the LUT in Resolve and transcode to ProRes, which kind of negates the point of using Premiere slightly.