[Mark Mecca]

Thanks. That seemed to work with the exception that I had to delete the transcoded file in the SD project as I Encore rejected the DVD disc as being too small. Once I deleted the transcoded project it rebuilt the project and was happy.

The bluray project came out crappy. Playing it on my bluray player didn’t compare with the quality I see in Premiere. Plus there was some blinking white spots. I got rid of those but turning up the noise reduction on my Insignia LCD monitor.

Mark

[Mark Mecca]

Kevin,
most of my work is not done on film sets; I shoot live events like weddings and dance recitals where I have no control of audio or lighting. So I usually just do my best to capture ‘usable’ footage and deal with it later. My father uses a proc amp to do this correction while he is dumping his footage into his editor but with tapeless cameras becoming more popular this doesn’t seem like a long term solution to me.

Mark

[Mark Mecca]

Kevin,
is there anything out there for Premiere Pro that lets you do color correction either while capturing it or while watching it play. I was hoping for some sort of process like sliders that are available for audio mixing. I;m capturing 8mm film and people are telling me that I need to use a proc amp to do fixing on the fly. However, since I am using Firewire to pt it into the computer I don;t have that option.

Mark

[Mark Mecca]

Sorry. Here is the link to the AE tutorial in question:
https://library.creativecow.net/articles/park_michael/Fall-Transition-Effect/video-tutorial

[Mark Mecca]

I’m using an audio and video mixer which doesn’t have a firewire port on it. This is why I got the decklink studio card. If I do go in via firewire than what is the purpose of getting the Decklink card in the first place?

Thanks.

Mark