[Mark Maness]

Being a Steadicam operator for several years, I guess I’m partial to the steadicam rigs. They are definitely a known entity, finely engineered, and we all know they work, even if a little more pricey then the others, but you’re getting quality and years of research and development

I’ve owned an SK, Flyer, and a provid, and have found all of them to be excellent, but of course, I’m biased.

The dual articulating arm definitely gives more range of motion. I’ll never use anything else unless for some reason If I have to.

And, in case anyone is wondering….no, I don’t work for Tiffen or Steadicam….just thought I’d throw that in. 🙂

[Mark Maness]

The advice you’ve been given is great. I’ve spent the better part of my career shooting outdoor shows, many on saltwater all over the world.

First off, water (if it’s clear) seems to take it’s color from the sky. Deep blue sky, deep blue water. Unless it’s shallow, then obviously the color comes from a combination of the sky and the bottom you can see.

Shoot early and late like the others have said. High noon is the worst possible time to shoot. Definitely ALWAYS use a polarizer. It really does help reduce glare on the water, helps “cut thorough” the haze of the moisture in the air, and helps with overall saturation of the blue sky and the water color.

I hope this helps.