Forum Replies Created
-
Very nice!
I wonder if you ever sleep ? 🙂
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Very nice!
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Yeah just slap them in and you are done.
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Sascha you do not get it?
It is more like faith thing 🙂
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Hi.
Yes i use 24″ one.
They have up to 55 grade one as you can see here:
https://www.hd2line.com/products/hd2line-pro/
What i like is that they have Lightspace integration in monitor and no lutbox needed.
Just plug in your sdi 3g and boom. 10 / 12 bit 444 is license thing. Hardware can do it by default
but you need the option to use it what is basically firmware update.I love 24″ model that i’m using.
This is actually what factory guy told me if i wanted to have accurate
client panel then i should toss out my plasma.—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Hi.
I agree with Joseph that plasma is really tricky option if you need to have really precise
client monitor. If budget would allow i would go with 47 inch grade one instead like
Penta offers.But that is just what i would do.
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Hi.
I have not used arri raw either but i bet it is similar to red stuff.
You have to see at first that prorez and raw mach with name (reel name) and timecode
before any edits are done.Other than that it should be simple?
Mostly you can adjust tone and exposure etc with raw files. Just red has more options compared to
other raw formats like arri and bmc dng raw.Just my 2 cents.
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
And it will look “natural” when surroundings are foggy 😀
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Some people just have “layered” skin tones i.e. it consist of many colors.
Sometimes i see the ones that have some base skin tone but have some
reddish tint in it like tiny lines running across the skin.—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
do you see conflict notification on your timeline thumbnails ?
maybe timecode is about the same ?
timecode and reel name / number is that aligns material in your project.
either one could be wrong or both ?
—
Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro