Marco Baer
Forum Replies Created
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If you don’t spare the effort of some extra installation maybe the Vegas2HandBrake workflow I once setup could help a little:
https://www.vegasvideo.de/vegas-2-handbrake-en.html
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If you try a decent x264 encoder like HandBrake you will notice the output will be sharper (with even lower bitrates) then Vegas’ one.
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Why not just selecting SLog-2 color space in the media properties when in float point project properties.
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This works for me even without having Auto-Ripple enabled just by asuring no event is selected.
If an Event is selected, Alt+[] affect selected Events only under cursor. If no Event is selected, same shortcuts affect all Events under cursor, no matter which ripple mode is used.
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The common math behind Overlay composite for a is base is:
if a<0.5 then 2ab
else 1–2(1–a)(1–b)This makes dark areas darker and bright areas brighter. I think Vegas Pro follows this rule.
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As others said, in Vegas Pro there is no way to use video busses the way you could use audio busses. Go the way Aleksey proposed and use an adjustment layer.
Use an empty “Parent Track” and make all the tracks you would delegate to a bus “Child Tracks” of this one parent track. Now on the parent track apply desired fx as “Track FX” and in the signal flow move “Composite” before the fx.
Thus fx applied to the pareent track will be passed to all the child tracks and the result is just like having used a video bus.