Marc Lucas
Forum Replies Created
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I do understand that but why did Nick use the External Compositing tag in his tut and it worked and synced instantly? I have used the same method and the solid doesn’t come in anywhere near where it should. Also I have noticed that the solid that has been created in AE kind of flips 180 degrees on the X axis halfway through the 360 spin. Kind of getting a bit confusing:-)
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I have used an External Compositing tag as per this tut https://greyscalegorilla.com/blog/2011/12/cinema-4d-to-after-effects-tutorial-plasma-tv/
The is rotation movement of the object which goes full 360
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Also whilst successfully getting my solid to sit on the right place on the 3D object in AE I now see the solid on the front (which I wanted) but when the object spins round I see the solid on the back as well but I don’t want that because it obscures the back.
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After digging in AE I’ve found that one of the main problems has been that the solid orientation setting on the X axis was set to 0 but a small adjust to 90degrees sorted the problem. However I still had to change the size of the solid to fit where it should of on the solid. Any thoughts on why this is?
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It wasn’t it was in Surround for some reason but I’m not sure whether that was the actual problem. The Mono audio channel is set to mono and won’t work in the timeline when when set to Center, why not?
Least I’m getting sound out now will have an in-depth play with these settings.
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Thats what I have found I haven’t really seen much of a different playing back when there is an orange render line there.
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The audio clip attached to the clip is mono its footage from an iPhone that I’m using to test somethings. I can scrub the audio in the clip browser and even in the audio inspector! But not in the timeline.
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I know you used the MB plugin so that the test would be fair across the board but would a simple render of a file from one codec to another be a better comparison of speed from the NLE? Different NLE may be better at different tasks so without testing multiple scenarios the a true reflection can’t really be seen?
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For request 2
https://assistedediting.intelligentassistance.com/EventManagerX/
P.S I don’t think you will get a Source Monitor:-)
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Yeah I’ll have a look, thanks.
Just concerned that the more flavours you put into the multi cam edit the more the final output with start to start looking messy with all the different codecs and frame rates. I’m fully sold on the fact that FCPX can indeed do a good job handling the situation just curious of the results