Thank you Shane.
First of all, I don’t find your answer to be mean, I find it informative and precise. I understand the limitations of my setup, but to be honest with you, I became more interested how it is all works in theory than how to meet the specs. More or less, I know how the viewing setup should looks like. But I also have some questions.
1. Let’s assume for a moment that I have all the right equipment listed. Do I need an external waveform monitor and vectorscope or the calibrated broadcast monitor built-in scopes will do the trick?
2. I’m also curious about this gamma differences. I forget to mention that I use Davinci Resolve to CC my footage. In this scenario I import rec.709 2.4 gamma video to Davinci. Since my external monitor only uses sRGB color space I set the project settings to rec.709 2.2 gamma. After CC I export but using rec.709 2.4 gamma profile. Please tell my how much will it affect final brightness of the image comparing to the source footage.