[Louis Germano]

We are in a large server environment. 12 FCP machines feed off the large server. Outside contracted camerapeople are supplying the 24p material on occasion, and we’ve been telling them not to supply material in 24p because our house is DVCProHD 60p and we have time code issues. That fact is not going to change. My question is not related to the many camera options out there, but is there a method to get 60p material to look like 24p, and can it be done with a plug-in for Final Cut Pro?

Lou@aurora