I don’t think it has anything to do with what we’re doing in AE or Primatte – the software seems to be just a way to make the best of a bad situation. I think it has more to do with the in camera compression and how it interprets the chroma (or perhaps luma) difference. I’m just wondering if there’s a plug-in out there that deals with just that issue….or maybe a lighting technique, or a setting in the camera I can change (besides sharpening – which doesn’t exist on the 250 anyway).
Like, is there an F-stop difference between the foreground and background that would add up to the compression NOT making this black outline? Jeez, this is really bugging me.
L