Thanks Greg, but the issue I’m having isn’t so much an issue with importing the footage…I already intend to import a 10 bit DPX sequence of the r3d files…this makes it easier to work with for VFX in AE…I’m just confused on how to set the proper colorspace in AE so I can see a proper linear colorspace (sRGB) and do my FX and be able to match colors properly with the r3d footage (DPX sequence) and my FX layers. Also, I want to make sure I can render out appropriate log DPX files to the colorist who will then have the proper latitude to do a correction that matches the other non vfx footage he has worked on. I have seen several articles on doing this with Alexa Log C footage in DPX, but not sure if it’s the same with Red footage. Again…all about the color space workflow and VFX
Leon Sanginiti, Jr.
Obie Ray Post and VFX