Kristine Bates
Forum Replies Created
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Hi Thank you so much for your help…
My next question is- how do I create a ProRess Proxy?
What I have done so far- Since the HDV import created a new clip every time the tape hiccuped, I synced the three cameras to the main audio for both Act 1 & Act 2. Now, if i understand correctly, can I just set and In and Out on the time line –> Export QT Conversion–> Proress Proxy–> set the destination. Then multi-clip the 4 proxy files for the edit. Will the original footage then relink? Or do I NOW have to export the combined clips as normal QT movie, then convert those to a proxy to relink later? I think that’s the way to go…. am I right?
Thank you,
Kristine -
Shane,
Thank you very much for your feedback. I am hoping something will solve my problem so I don’t have to manually edit something that could be edited in “real-time”. Any suggestions on a thunderbolt drive?
I have never worked with Proxy’s before. If I convert all of them into a proress proxie I will be able to multi-cam the four clips?
I won’t convert to h.264, I promise, but what about exporting it to 720×480 proress and using those for the multi-clip?
Thank you for your help
Kristine -
Motion. thank you, I will try that. what is the path to the preferences again?
Also- I tried putting the motion project into FCP. I rendered it and it doesn’t seem smooth. It’s jumpy.
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Yeah- I caught that after i posted it. I ment Motion 4 (i’m working on FCP 7)
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Would I still get high res quality with rendering it at normal? No I haven’t tried bring it into FCP although that was my next guess.
I set it to render again- 8 hours and 32 mins at Best. Does that seem normal?
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Stephen,
That seemed to work! Thank you very much for your help!
-Kristine
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But when I choose liner it changes the path of the camera position. Is there a way to change the speed with out changing the already determinded path?
-Kristine