Kenneth Cleeton
Forum Replies Created
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[Tudor "Ted" Jelescu] “If not, the nVidia cards are your best option. For your system you can choose to go the recommended/supported models or venture in the unknown and go for the newer cheaper models based on other peoples reviews. If you have a backup system and you can afford the risk, it will save you some cash in the beginning, but if yur workflow demands a reliable system then you may save more with a more expensive but tested card.”
By recommended/supported do you mean the 4000? That is the only one I have confirmed other than the “flashed” cards from Mac Vid Cards. Am I missing some? If not, do you have any experience with the cards from Mac Vid Cards?
Thanks!
K.L. Cleeton
Co-Owner/Lead Editor/Event Specialist
2FAST4U Productions
http://www.2fast4uproductions.com -
[walter biscardi] “We have a similar 12 core machine here that’s running with dual nVidia cards since it’s a Davinci Resolve based system. Basically if you want to have the fastest performance with Premiere Pro, you get the most card you can afford.”
Do you happen to have any idea what model of cards you have in the 12 core machine that is similar to mine?
K.L. Cleeton
Co-Owner/Lead Editor/Event Specialist
2FAST4U Productions
http://www.2fast4uproductions.com -
I’m having a similar issue with 2 tracks stacked on top of each other. For example, I have a clip that is dynamically linked with an after effects composition. This clip is essentially a medium shot with a green screen behind it. The composition simply keyed out the green screen and dropped in the background. The corner of the background has a flat screen TV that is a placeholder for visual aids. I’m adding the images into the placeholder in Premiere Pro by simply dropping in the image and then adjusting the crop factor and placement to fit the TV screen. When I tried to add a cross dissolve or a dip to black my main footage was adjusting at a different rate then the image from track 2 that is in the flatscreen TV.
Hopefully that made sense. Anyway, I ended up just going completely manual and using opacity keyframes on the different layers and then eyeballing them to make them match up with how they fade out. However, I can see how this would not be a feasible solution with more than just a handful of edits and tracks. Does anybody have a better solution then key framing opacity by hand?
K.L. Cleeton
Co-Owner/Lead Editor/Event Specialist
2FAST4U Productions
http://www.2fast4uproductions.com