Justin_n
Forum Replies Created
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thats fine, but thats not the issue……..Ive completed the offline, and its time to do the online now.
This is getting frustrating. Re-read from the top down to get the clear picture of what the problem is.Best,
J -
I dont have the Kona 2, it is ONLY in our online suite, 3 hours away from our offline…..
I was only given the Kona ls……..see what a corner Im in? And now there are tapes building up and our HD deck is 3 hours away and the online didnt work and Im frustrated as hell and having to drive 6 hours every 4 days and this sucks ass. Whne the equipment was bought for us I said “It isnt right” and nobody took notice and now Im screwed. (they’re screwed) -
I dont have that luxury….Only the ONLINE room (3 hours away from the offline edit suite) has the
Kona 2….we were given the kona LS….see how f’ed we are???
We also didnt have the luxury of testing, as 14 tapes built up before we got our HD deck in, so testing was not an option.Oh, to have $$……. so lucky……..
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That is what we are doing….We wouldnt even have been able to screen footage if it were set to the wrong frame rate. But you are along the right path.
-justin -
hey. I hear you, BUT-
I downcoverted to DVCAM first and sent a pulldown to it. Then captured and edited.
The JH3 Deck automatically sends the pulldown, so it is directly adjacent to a 29.97 space.
thats what is weird.
we did a test, and it worked fine, IN FINAL CUT 4.5!!!!!
then, we upgraded and stated the project. yes, i know, i know, but we upgraded system software BEFORE we started the project, and every vendor swares it works.
Why would 4.5 be any better than 5?
(Dont anwer that…)
anyhow, it is 2 problems we think, but we are adding a terrabyte to our Apple RAID, so we can import the 10 hours of stuff we need for our 56 minute sequence.
Had media manager worked at all in FCP5, (We’ve media managed 300 projects successfully before we installed FCP5), this would NOT be an issue.
whaddya think?
Justin