Thanks for this response. Definitely helpful.
I probably should have clarified that I’m a video editor – I’m given the video/audio elements to edit and deliver to client. Hence why I am not so familiar with audio mixing. These productions are sadly pretty low-budget, so they can’t be sent out and mixed properly.
I don’t believe there is a way to bulldoze/mix within a program like Final Cut Pro, but if someone could provide insight on that, that would be great. I agree, it’s important to spend the time/effort to make audio sound good – it’s just unfortunate that it comes out of my pocket in post, as I’m working at a fixed rate on these videos. The more I have to work to clean up the audio I’m given, the less money I’m making essentially.
I’ll look into that cos11 for the production team – I believe right now they use a Tram (wired) which tends to sound pretty good, and a Sennheiser (wireless) which doesn’t sound terrific and picks up much more background noise/hum.