[Julian Herrera]

Not sure this is exactly right. As interpreting it rec 709 is yielding the highest color accuracy so far. And if you don’t pick anything, it is still assigning sRGB. If I go and change any settings in the “more options” section I just mess with the image as opposed to leaving it as shot (but sill interpreting it rec709)

The need to have redlog and redgamma as a built color management option far exceeds just bringing the footage in. I know I can’t export .r3d files but I should be allowed to export a 16bit tiff with RedColor and RedGamma, I can’t though, until it is added to the color management tab on export (where there isn’t a more options button.)

Is anybody who is computer savvy know how to get in there and add files and gamma definitions? Also I tried getting redCineX to kick me out a linear EXR so that redCineX handles the gamma inversion. However no matter how I interpret the EXR, I get a ugly color shift and saturation loss, technically, with an sRGB working profile and the EXR interpreted linear, i should get the same as an uncolormanaged project with the r3d, not even close. This just increases my confusion.

Matchmover / Compositor / Visual Effects Supervisor
Magnetic Dreams Animation Studio
https://www.MagneticDreams.com