Hi Eric,
Great question (bitrates) to which I have no good answer. Our post process was very traditional: material shot on Panasonic DVX100A, 24P, anamorphic lens, captured via firewire to drive arrays on a G4 dual 1.42, edited on FCP 5.0 (we bought the whole Final Cut Studio 5.0). The final film, Waterbuster (see http://www.waterbuster.org) was uprezed to HDCAM for the film festival and we have a DVCAM master as well. All my screener copies were simply burned from DVD Studio Pro 4 (you’re right, not 2)and were sufficient for that purpose.
However, the screeners definitely display a “chunky” quality in the fades and dissolves and to me are unacceptable for the final product.
As far as bitrates are concerned you’ve touched on a subject that I know nothing of (though I am a fast learner!) and wonder how bitrate fits into the matrix of it all. Please reply as I look forward to your advice and thoughts.
Carlos
J. Carlos Peinado, Quechee, VT
http://www.waterbuster.org