Forum Replies Created

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  • Joseph W. bourke

    February 11, 2014 at 1:30 pm in reply to: Export AE layers to photoshop?

    Yes you can – it’s quite easy:

    Composition > Save Frame As > Photoshop Layers.

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 10, 2014 at 3:54 pm in reply to: eliminating breath sounds in audition 1.5

    You should find it under Dynamics Processing. Effects>Amplitude and Compression. There are a couple of Noise Gate presets to try out, other than that, it’s experimentation time. Here’s a nice discussion of noise gating and breath reduction:
    https://www.voiceoveruniverse.com/group/audiobooksandnarrationpayingjobs/forum/topics/adobe-audition-and-breath

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 10, 2014 at 3:39 am in reply to: eliminating breath sounds in audition 1.5

    You might try sampling the sound of a breath (capture noise print) and then using that to remove the noise, although not all breathing sounds are the same. The other option would be to try isolating the breath noise in the Spectral Display. Other than that, I think you’ll have to go through and insert silence on all of your breaths – it’s a pretty quick process, but I’m used to doing it on max five minutes or so. It will be laborious, but hopefully the sale of the book will pay for your time working on it.

    Check out these possibilities here:
    https://help.adobe.com/en_US/audition/cs/using/WS58a04a822e3e5010548241038980c2c5-7f30.html#WS58a04a822e3e5010548241038980c2c5-7f2f

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • My guess is that it’s a combination of screen capture (probably Camtasia) combined with Photoshop grabs of still portions of the interface where they need them. For example, close to the beginning, the various communications elements are typing on, and they then appear one by one, dissolving in – an interface wouldn’t work that way. Bear in mind though, that Camtasia can be set up so that all of the zoom ins and outs that you see can be automated to follow the mouse’s movement. And it gives you the ability to edit all of these after your capture session is finished. It’s very powerful software. Here’s a look at some of the capabilities:

    https://www.techsmith.com/camtasia-features.html

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 8, 2014 at 4:37 pm in reply to: transition Techniques

    Maybe a driver update for the Matrox BoB?

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 8, 2014 at 4:36 pm in reply to: transition Techniques

    Hi Michael –

    Since you have an older version of PPro, double check that Sweets will run on CS3 before you buy it, just to be on the safe side.

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 8, 2014 at 2:58 pm in reply to: transition Techniques

    Take a look at AE Sweets – that will get you a good part of the way:

    https://www.aesweets.com/

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 8, 2014 at 2:56 pm in reply to: Un Pre-comp?

    Since it’s not quite as simple as a button push, there are reasons for the script. One way to do it by hand is to first check your precomps to see whether you chose to move all of your effects and attributes into the precomp, or you left them in the original comp (applied to the precomp). If they’re in the original, save all effects and attributes as a preset, then open the precomp (double-click), copy the layers back to the original comp, and apply whichever effects/attributes where on their respective layers. Now do you see why a button wouldn’t do it, and why you have to pay for someone else to automate it? It’s quite a bit of work, which is why I always save a version of my project before I do any precomping – then it’s easy to back out of. But it would be nice if there were a button…

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 7, 2014 at 6:31 pm in reply to: Longest lens supportable with a video monopod?

    Hi Josh –

    This has nothing to do with the lens/monopod issue. I notice that the music you used on the wedding video is a Blake Shelton song. I really hope that you licensed that music – otherwise it’s a lawsuit waiting to happen. You cannot just put commercial music on a project which you’re getting paid for without licensing it. If I’m wrong, and you have licensed rights to it – I apologize for bringing it up. If not, you really need to reconsider both from the standpoint of great monetary loss on your part if they see your video and sue, and also from the standpoint of the artist, losing money because someone thinks it’s ok to just grab and use it. Very nice video, however.

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

  • Joseph W. bourke

    February 6, 2014 at 6:40 pm in reply to: Ideas on Selling Vintage Vinyl

    Hi Tom –

    I know what you mean about a lack of “record” shops, but I’m lucky enough, here in New Hampshire, to have a record store within 30 miles of me, in Concord:

    https://www.pitchforkrecordsconcord.com/reviews.html

    They also refurbish and sell turntables and other analogue equipment, kind of like having a buggy whip shop in the neighborhood. Looks as if they have an *Bay shop as well.

    Joe Bourke
    Owner/Creative Director
    Bourke Media
    http://www.bourkemedia.com

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