[Joseph Morgan]

Talking heads? Don’t knock it – the core of any good documentary 🙂

I’m trying to persuade this ecologist that he should live with a small tribe in Africa who have problems with severe water shortages so that he can report firsthand on what it’s like to have to walk 80 miles a day just to pick up the water ration. A bit like “Supersize Me” – live the story. He doesn’t seem too keen on the idea though! I think he’s figured out that to get a good film, I would drag him to the point of nearly dying of thirst 😉

I keep thinking about using a DSLR in conjunction with the NX5 by upgrading my Canon 5d to the Mk II version – but that’s a lot of mucking around when it comes to editing time, travelling with two systems, etc. (though I’m about to get into Edius 6 which I’m told is the business for mixing formats on the same timeline).

I just opened a new thread on dof adapters in this forum.

Joseph in Ireland with his new NX5

[Joseph Morgan]

Thanks John. Appreciated. Joseph

Joseph in Ireland with his new NX5

[Joseph Morgan]

I’m from a previous life as a photojournalist and radio documentary maker who now wants to make film/TV documentaries.

I have my first gig coming up to make a documentary about the global water crisis. The money is coming from Trinity College here in Dublin and one of their ecologists is going to front it ( a very good looking and smart ecologist who can communicate). The only slight problem is that the budget they are putting up appears to assume we are cycling to Africa and living on tins of cold beans whilst we are there 🙁

Not sure if you will be getting into this area (whichever camera you choose) but I’ve also been investigating depth of field adapaters and was about to put up a new thread on that topic.

What about yourself Scott? What field are you in?

Joseph in Ireland with his new NX5

[Joseph Morgan]

Hi – I’ve only just (in the last few days) bought the NX5U (with Worldcam upgrade so I can operate in PAL-land as well) after a lot of umming and ahhing over different options, including the Panasonic 170 (which came a very close second.

I think in the end there were a couple of things that tipped it for me:

I prefer the option of widely available storage cards as I travel a lot (ever tried finding P2 card in Zimbabwe or Russia?).

The availablity of ‘system components’ with Sony e.g. I bought a Sony radio mic, a Sony hard disk drive, Sony screen shade, etc. when I bought the NX5 and I’m only going to one place for support and not having to muck around evaluating different third party options and so on.

I guess in the end it comes down to ‘feel’ though. You need to get both cameras in your hands at your local dealer rather than just reading about them or trying similar cameras but not the actual one. Then just see which one you like best.

I was a bit reticent about going down the AVCHD route at first but I’ve also recently discovered the editing software Edius and it seems to answer any concerns I may have had about that (I wasn’t sure how various other editors handled AVCHD and it all sounded a bit of a nightmare at first to a non-techy like me). I love the filming and scriptwriting but hate the techy, computer stuff.

Hope that’s of some help. I’ve only been filming over the weekend and haven’t had the chance to look at it properly yet but all’s well so far.

Joseph in Ireland with his new NX5