Jon Gianelli
Forum Replies Created
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What a huge help. Thank you. I really want to go from this being a craft for me to more of an art. I’ve done plenty of commercial videos, weddings, events, etc. but I don’t feel like I’m there yet when it comes to the look and feel of a scripted production.
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This is some solid advice which I think I will take. Thanks a lot for your input
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You’ve given me a ton to think about. How about this: my partner thinks we ought to purchase a zeiss compact prime lens like CP.2 50mm for around 4 grand. I was wondering, if we were to purchase something like the Voightlander 25mm f/0.95 or the Nikon 35mm f/1.4 AI-S instead for less than half the price would we really see a major difference in image quality for primes?
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If I got a multi-coated nikon lens @ 35mm wouldn’t that convert to something like a 60mm lens on the af100?
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What about something older, like https://cgi.ebay.com/Zeiss-Vario-16-10-100mm-T2-Zoom-Lens-B-Mount-Used-/360369321534?pt=Camera_Lenses&hash=item53e7af763e#ht_505wt_905
Is there NO suitable zoom lens that somewhat fast that is under around $5,000?
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Zoom would be good. Is there any reasonably priced good zoom lenses I could use (even in the $3,000 range)?
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I had this same issue and I found a fix. Export the audio as a WAV, then bring it into your timeline replacing the other audio. Then, export that as a AVI (or whatever) and it will sound fine. This is something Adobe should probably fix pretty soon, but in the meantime this works fine when working with audio with effects applied.