N?A

Okay so, out of frustration I just sat back and watched the drummers footage waiting for anytime the LEDs on him where “white” I found one where the LED light behind the camera (stage right) what white and the LED in front of the camera (Stage Left) was magenta and I got this. Outside of that, whatever color the LED Stage Right is, completely…

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The picture is incredibly compressed, it was the LED’s that were on red and seemed to over blow everything. It’s just the beginning, after a couple of moments, the LED’s are taken on random colors and it’s more manageable. Also taking into account that they are cheap video cameras, I gotta hope for the best. The other two camera’s aren’t nearly as…

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here’s what I’m looking at.

So i filmed a live band last night. I figured id take my HDV-201LM’s off “AWB”, it was LED and it didn’t have an LED setting, So I tried Florescent. (To be honest i didn’t notice a change in screen color regardless of what WB setting i chose so it might just not be working anyway. I also took it off Auto Exposure (Auto Iris) and Auto ISO. But I…

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It does greatly, they decided to not move forward so there’s that. but this is definitely use this info for the future, thank you.

Hey, so I don’t know if Premiere Pro or After Effects can help me with this.

Last night I filmed a live band. What i didn’t realize was that the instant Photo Booth to the right of the camera was going to flash my lines every time a picture was taken. So I have this white flashes coming across the screen. On top of that, because it’s a cheaper…

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Hey, so I don’t know if Premiere Pro or After Effects can help me with this.

I filmed a live band last night. There was one of those instant photo booths to the right of the camera. Every time it took a picture, the flash whites out my camera shot. Then it’s either normal OR 14 frames before the IRS resets to its normal setting. I know for…

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I know this, i’m asking how do I add to what I already have because my professor has a LOT more settings available to him then I do.

I’m taking a class learning how do use Adobe After Effects. The online professor is using a setting HDTV 1080 24 for our preset, a preset setting I don’t have. Actually, I don’t have a LOT of their presets. I’ve tried looking online but all i find is graphics, texts, special effects, Luts, etc.

Can anyone help me get some more of these Composition…

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Hey everyone. Hope you’re well.

I’ve got some GoPro footage (MPEG-4, H.264) who’s dimensions are 1920×1440 and i need to stretch it out to 1920×1080.

Media Encoder is putting black bars to the left and right of the footage. I know this should be a simple step, but for the life of me, I can’t figure it out.

Does anyone know the solution to this problem?

I go from a Thunderbolt into my UltraStudio 4k and then I use a wire to go into the SDI port of my Flanders Scientific

Okay so small bit of a repost but new important information has come to light.

So my set up.

I’m on a iMac Pro. I go from a thunderbolt to my UltraStudio 4k and then SDI1 into my Flanders Scientific. I use this solely for color grading. Sense the very beginning I’ve only been using it for color grading and have had my audio hardware > Default…

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Thank you so much for this info. I don’t know how to strip anything so that’ll be something to learn. And I’m not allowed too. But knowing the max timeline that Adobe Premiere Pro can create helps me greatly. I’m really having to get super creative with this.

Not even Media Encoder will accept it! I used “Trim” in quicktime to get it into two segments. One at 15 hours and the other being the remaining time. Those went in with no problem. I can put one clip into a timeline with no problem but APP won’t let me put both on the same time line. Yes, it has to be all in one timeline and uninterrupted.

Current…

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So quick explination. I have a clip that is 26:15:53 that has to brought into Adobe Premiere Pro and into the timeline uninterupted. It can’t be cut down. It has to stay as is. Right now, Adobe Premiere Pro isn’t letting me do that. I was curious if there was a way around that. Is there a setting or am I SOL?

I would greatly appreciate any feedback…

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Thank You so much for your advice and information. I have downloaded your link, but I don’t have Carred.jpg, Can you please send that. Thank You.

Thank You again.

JR

So I’ve done the research and I don’t feel like I’m finding the answer to my particular question.

I’m color grading a particular project. The subject needs me to match his skin tone to a previous video of his. Basically I have to make him in the chair (Flat color) match The picture of him at the mountains. The picture of him in the chair with the…

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Alpha Expansion is 0

Fill Method Is Surface

Lighting Correction is off

Range is Work Area.

Cloak Version 3.1.0

Output Location

Path Type Project Relative

Path ./Fils

Create Photoshop Reference Frame is clicked.

I hope this answers your question.

I don’t have a lot of experience with Photoshop. Sorry.

JR

I’m not able to afford Mocha but it looks awesome!

It’s still the same fuzz. What confuses me is I’ve seen this work on youtube tutorials where people are removed so the intricate breaking of an ocean tide can be shown. So why can’t this program do this carpet. Then again, I could be missing something.

Hey everyone. How are you?

So I’ve got this project with this distracting black wire running along the floor. But when I use the Content-Aware Fill filter to a mask, instead of the pattern being replaced, I get this long fuzzy noodle across the floor. Am I missing something? Are my settings wrong? Please help. Thank you so much.

JR

I’ve got this project that’s being very finicky about it’s exports. I’ve attached the screenshot of the error screen. I’ve looked online and the only solution I can find is to create a whole new sequence, change the settings and then COPY PASTE what i’ve edited there. It has worked in the past to the extent it’s good for a few exports. Now it’s…

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So I’m working on a project and I keep on coming across this problem. There’s a ghosting problem on the second clip. This is happening on multiple clips but it seems to be only on pans like so, almost exclusively involving trees. There are the occasional ghosting or even like jump cuts when a character turns really…

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I exported the final clip, of the man running to 23.976, I then put it in a sequence 23.976fps. The scale 100 works fine enough, scale 300 is glitchy as all hell.

Would transcoding the videos to the same FPS help or will that just maintain the problem?

I know working with the same fps is the ideal goal, however, the video i have now ranges from 23.97, 24.01, 25, and 30FPS

My sequence settings have my FPS at 23.97 export is the same.

Hello everyone, I hope you all are doing well, staying healthy.

So i’m having issues with some footage. I’ve included a link of the clips that are doing this as visual reference. I’m not sure what’s happening or why. The kids turning quickly is a hit or miss when I export it, but all the other clips with the “glitching” or “ghosting” effect happen…

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thank you so much, the clients wants the brighter shot to look like the darker sit down shot. This is what they want.

You are 10,000% right. It’s what I’m finding out. I’ve recently gotten out of college. Prior to that, I had 10+ years of video editing under my belt.
I started my own business remote Editing and added Color Grading, audio mixing, and basic VFX to it. I’d found a lot of jobs needed people who could do more than one thing. So I took classes to… Read more

The keyframe situation has been put on pause. I’ve got to get the clips more in color sync then what I have. I have made this video to help explain the situation. If i’m missing anything, please let me know and i’ll add that information. Thanks again.
https://youtu.be/752ZlK2zBoo