[Jonathan Alexander]

Yes, that would be the best case scenario, but if they’re going to make all of these vector graphic tools available within Photoshop, they should also import the same into After Effects. I’ve got nothing against using illustrator, but sometimes illustrator is not available and plus, it’s also nice to use as few applications as possible.

Thanks,
Jonathan

[Jonathan Alexander]

I will try that, just stinks, because I have a bunch of layers, and if I’m not mistaken, I will have to copy and paste each one at a time? I hope they are working on these kind of import issues between photoshop and AE for the near future releases, it would be wonderful.

Thanks again,
Jonathan

[Jonathan Alexander]

Sound like a good setup, could you show a timeline window or somehow display this setup? I almost follow you, but don’t quite get it all. Thanks, if you don’t mind showing some of your secrets.

–Jonathan

[Jonathan Alexander]

Sound like a good setup, could you show a timeline window or somehow display this setup? I almost follow you, but don’t quite get it all. Thanks, if you don’t mind showing some of your secrets.

–Jonathan

[Jonathan Alexander]

Worth every penny, thank you guys for the advice! I’ll approach my animations with your tips in mind and hopefully I can make something of this bumpy ride that is my camera movement right now. Thanks again!

–Jonathan

[Jonathan Alexander]

Worth every penny, thank you guys for the advice! I’ll approach my animations with your tips in mind and hopefully I can make something of this bumpy ride that is my camera movement right now. Thanks again!

–Jonathan

[Jonathan Alexander]

I agree and think that those are good words to live by, but I find that they apply much more to After Effects than other animation applications. Would you agree?

[Jonathan Alexander]

I agree and think that those are good words to live by, but I find that they apply much more to After Effects than other animation applications. Would you agree?

[Jonathan Alexander]

Very helpful example, thanks! Now why did you parent the camera to the null, is it easier to animate the null as opposed to the camera?

And just curious, do you have any precomps in your comp there, or do you have all of your individual elements in this comp? If there are precomps, do those have their own camera movements, or is this comp contain all that camera movement I just saw in the example?

Really cool animation by the way! Do you freelance?

Thanks for all the tips everybody.

–Jonathan

[Jonathan Alexander]

Very helpful example, thanks! Now why did you parent the camera to the null, is it easier to animate the null as opposed to the camera?

And just curious, do you have any precomps in your comp there, or do you have all of your individual elements in this comp? If there are precomps, do those have their own camera movements, or is this comp contain all that camera movement I just saw in the example?

Really cool animation by the way! Do you freelance?

Thanks for all the tips everybody.

–Jonathan