| Areas of Expertise |
audio post, video edit, and machine room designs, synchronization and configuration experience with BVW-75, DVW-A500, SRW-5500, AJ-HD3700B, DSR-2000, Doremi V1 and V1m, Apple Certified Technical Coordinator v10.5 (Leopard), Xsan v1.4.2, Final Cut Pro v6.0.x, AJA's Io LD, Kona LH, and Kona 3, Dolby AC-3, DP571 and DP572 (Dolby E), Apache 2, Windows XP Professional, FileMaker Pro and Server 9v3, ScheduALL w/SQL Express, Pro Tools|HD with Avid Mojo SDI or Blackmagic DeckLink HD Extreme 3, ADR
|
| Favorite Bands / Musician |
The Police
|
| Comments and Things Worth Noting |
I am a technical engineer with a primary focus on machine room and studio maintenance, systems design and integration, and with technical support provided for the same. Most recently, I had a User Report published in TV Technology on Nutmeg's use of the Avenue Signal Integration System by Ensemble Designs. Other past publications include an article for the November 2007 issue of Broadcast Engineering, and being interviewed for the main News article in the June 2007 issue of Post Magazine; also adapted for Digital Content Producer and Yamaha's Commercial Audio website, as well as an article on surround sound in the October 2006 issue of Post Magazine.
My past audio engineering work includes: Sound editorial for "Red", a Time Will Tell and Panman/Soljan production, recording the commentary of Aaron Eckhardt for the DVD release of "Thank You For Smoking", ADR recording for Sean Reilly's "Amy's Rules" (independent), and post mixing for Erica Lutzker's "Orbiting Pluto" (independent).
|
