[John Mclane]

EXcelent one ! I dodn’t think about this solution ! My project is about 20 minutes long and has a large amount of cut but i’ll definitely keep your technic in mind for a shorter work ! Thanks for sharing this good tip !

Nico

[John Mclane]

EDL sounds good to me ,I think I’ll go for it.

Thanks for your precious help,

Nico

[John Mclane]

Here is the correct link to the picture, sorry for the double post ! https://img111.imageshack.us/img111/1869/16bpcmx1.jpg

[John Mclane]

Thanks for the tip Micheal ,the thing is that when I open the projects settings window here is what I get : https://img111.imageshack.us/img111/1869/16bpcmx1.jpg, I cannot choose my resolution and I realy don’t know what the problem could be ! If you think about a solution I can’t wait to know it !

Thanks for the great help !

Nico

[John Mclane]

[grinner] “This is why they are no longer the industry standard.”

Are you sure of that ?

[John Mclane]

Thank you guys for the really quick answer ! I appriciate that ! The thing is that my lame english didn’t manage to explain my problem properly the first time. With the time code effect what I get is a kind of Absolute Time Code which goes from 00:00:00:00 to 01:02:03:00 for example. What I need is an effect that could show on screen the timecode of my source so that the sound guy could get the tape and digitiz what he needs. I don’t know if i’m really clear ?

Thanks anyway for the great help,

Nico

[John Mclane]

Thank you very much for the good tip but unfortunately I work on a 25P project and I check the “interpret footage” option and it doesn’t seem to come from here ! Anyway I apriciate your help and I’m eager to know how to create a 16bpc comp !

Thanks again,

Nico

[John Mclane]

I definitely agree with you. For me that is what makes the difference between a real professional NLE and the others. At first I was relly confused with Avid’s logic but now I will never go back to another software.

[John Mclane]

What do you actualy call “Modal Editing” ? I assume we name it differentely in french because it doesn’t ring a bell.

[John Mclane]

Thank you very much for the detailed test, I will definitely give it a try. The thing is that I don’t know how to create a 16 bpc comp in After Effects like MHancock sugested and I think that could be the reason of the loosy quality. When I go into the project settings window I cannot choose 16 bpc, the 8 bpc is set as default and cannot be modified, do you know why ? I know this doesn’t belong to the Avid Forum but since I started the thread here I thought it would be no big deal. I hope it’s all right.

Thank you for your rewarding help,

Nico