Forum Replies Created
December 28, 2017 at 4:50 pm
We have been running FCP7 on 10.12.6 all year and our users commented that it felt “snappier” then ever. The only issues we’ve seen crop up in 10.11 is you can’t have the waveform scopes open when rendering as it will render everything whether it needs it or not. In 10.12 you can’t have the Aja control panel app open because it will cause a delay when playing the timeline or source window.
December 28, 2017 at 4:38 pm
You may want to consider XDCam 17.5Mb. It’s a little know XDCam variant. We choose it for use in our Avids because DNX36 does not support interlaced media and it’s half the size.
January 22, 2017 at 11:48 pm
There are certainly plenty of productions that need 20 or less accessing a storage system. We are not one of them so single chassis NAS systems won’t cut it.
You say it’s complicated but compared to SAN and even NAS with various server heads, RAID controllers, expansion chassises, and failover the Microsoft Storage Spaces looks far simpler. Windows Server 2016 boxes stuffed with SSD and HDD and ethernet to a switch… done! Like I said, I’m no fan of Windows and would much prefer a Unix/Linux based system but with SMB3 seemingly taking the lead a Windows based storage system makes some sense. Building a system with SuperMicro components would be dirt cheap.
A true scale out system that adds iops and capacity with each server is what I’m looking for. The ability to replace old storage without migration is also a big plus.
November 22, 2016 at 9:46 pm
I am surprised there’s no way of moving just media into Resolve via some sort of log file. It certainly limits the use of third party logging apps and stifles integration with MAMs. Nobody wants a seq created for every shot brought in.
October 31, 2016 at 11:02 pm
Wow, your a blast from the past.
The workflow I describe is linking media to a log file, in our case it’s Avid ALE logs. We bring in a camera card full of media with Tape ID and TC and then use the “Apply Log File..” in CatDV. If the media and log file have matching Tape/Reel ID and TC, the log entries will have the proper media linked in CatDV. This results in both the original camera card media and the ALE log clips being in the catalog.
From what you describe this is not what you’re looking to do. But may be an alternative that would work.
September 8, 2016 at 8:03 pm
We’ve seen that error caused by still images on the timeline or even a video clip that is some how damaged. Make a copy of the timeline and start deleting it in halves. If the error goes away it was something in the timeline you just deleted.
June 11, 2015 at 2:45 am
We ran Mavericks last year on the old Mac Pro and did not see this behavior. This particular issue is due to something related to the NMP.
June 10, 2015 at 11:33 pm
We’re running Mavericks.
May 19, 2015 at 9:42 pm
Putting the folder name then a / before the catalog name in the Catalog name field did direct the catalog to the folder. I was doing it in the Group field.
May 18, 2015 at 10:12 pm
Thanks for the response.
I’m having Worker create a daily restored file catalog.
How do you keep Worker created catalogs from spamming the main Production Group? Do you create a Group specifically for Worker created catalogs?